Mission, Vision, Impact: “Mangos With Chili is a North American touring, Bay Area based arts incubator committed to showcasing high quality performance of life saving importance by queer and trans artists of color to audiences in the Bay Area and beyond. Our goal is to produce high-quality multi-genre performances reflecting the lives and stories of queer and trans people of color (QTPOC) and speaking out in resistance to the daily struggles around silence, isolation, homophobia and violence that QTPOC face…Mangos With Chili’s multi-genre productions present work in the disciplines of dance, theater, vaudeville, hip-hop, circus arts, music, spoken word and film. More than a performance incubator, we are also a ritual space for queer and trans communities of color to come together in love, conversation and transformation. Our goal is to present high quality performance art by QTPOC, but so much of our work is also about creating healing and transformative space through performances that are gathering places for QTPOC community.”
Funding: “We feel that it is important to be very transparent about the fact that we have had very little core funding over the years and operated on a very sparse budget. Our work does not neatly fit into the visions of funders who operate under the white supremacist hetero ablest patriarchy. We refuse to be tokenized. We refuse to filter or tame our work. We refuse to shift our message or description about who we are or who/what we are here for to appease those with power…We are also deeply thankful for our beloved community members, who have filled passed hats and Paypals, given us venues, videography and places to sleep, given us hugs and encouragement when we felt like giving up, and been our most consistent source of support. We have always said that capitalism doesn’t love us, but our communities do. We have been able to keep operating due to this support, as well as the support of countless community members.”
Throughout the semester, we have learned about various forms of oppressions against transgender people and specifically transgender people of color. We have also discussed various forms of resistance. I related Mangos with Chili with our reading for today, “Performance as Intravention: Ballroom Culture and the Politics of HIV/AIDS in Detroit,” because Bailey argues in their piece that communities “at-risk” (of HIV/AIDS, in this example) are also communities “of care” whose members support each other in various ways (intravention). For the members of the ballroom culture in Detroit, community support meant creating a counter-discourse, providing social support for its members and producing prevention balls in order to reduce Black queer people’s vulnerability to HIV/AIDS infection through competitive performance.
Mangos with Chili also provide similar support for each other by providing spaces of healing, transformation, dialogue, visibility and centering of queer and trans people of color.
Both forms of transformative community spaces serve as a form of resistance to the contrasting oppressive social and political contexts that members live in.
Blood Story, Bone Memory, Skin Legacy: A Ritual in Corporealities: “In Blood Story, Bone Memory, Skin Legacy, artists explore the queering of ancestral memory, navigating these living moments mapped in our bodies, in queer blood and bones. Bearing witness to the stories held in our queer bodily experience, we heal and transform through the power of embodied truth.”
Upcoming Event at Brava Theatre: https://www.facebook.com/events/774398699245513/